As with many of the best crossover bands, it’s the frontman - one Tyler Capehart, in this case - who keeps them rooted firmly in hardcore punk territory, with his throat-shredding roar of a voice.Continue Reading
John Youens is a busy man. Not only the lead singer and guitarist in London punk rockers Slow Faction, he’s also something of a studio whiz, and promotes gigs under the South London Punk Collective banner.Continue Reading
Headliners Dolium manage to hold their own. There’s something brilliantly fried about the veteran Sheffield trio; their songs sound like they could have been written during a bad acid comedown (or something like that), so on-edge and irritable do they sound.Continue Reading
Suburban Legends are not going to be outdone at their own show. Not since the early UK shows of Less Than Jake have we seen a band so determined to turn a gig into one big party.Continue Reading
Cynics might say that the Screeching Weasel of today are really The Ben Weasel Band, following the departure of then sole remaining co-founder John Jughead, but it’s safe to say that, as they rip into opener ‘I’m Gonna Strangle You’, everyone present is just thrilled to have them back.Continue Reading
Although it may not scale the heights of my personal Social D favourite (that would be their 1990 self-titled record), ‘Born To Kill’ is an impressive effort - and all the more so considering that Mike is well into his 60s.Continue Reading
Here at Punktuation, we like to believe we don’t care what anyone else thinks, but it is nice to back a winning horse, and clearly there are plenty of other folks out there who enjoyed Australian quartet Mini Skirt’s excellent sophomore album ‘All That We Know’ as much as we did.Continue Reading
Subversive Intent hail from San Diego, California, and on this debut album, they blast through ten tracks in a little over twelve minutes, quite rightly jettisoning everything that isn’t essential. As the likes of ‘Disappeared’ and ‘Coerced Perception’ zip past, elements of Poisoo Idea, Crass, touches of D-beat and NYHC-style crunch all make themselves heard.Continue Reading
Swedish quartet Śmierć’s third album ‘Opór’ (reviewed here) was an unexpected highlight of 2024 for us. The band originally formed with the aim of playing “straightforward, melodic D-beat orientated punk”, but in ‘Opór’, they’ve created so much more.Continue Reading
It’s the final track - ‘Gawking At Infinity’ - where the band’s inventive streak really shines through. Initially built around a stop-start riff and propulsive drumming, it gives way to an epic breakdown of sorts, with what sounds like flashes of horns in the background.Continue Reading
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