The London quintet have some surprises in store on album number three!
It’s Dealing With Damage, Jim, but not quite as we know them. The London quintet are smart enough not to have totally abandoned their signature punk/post-hardcore sound (perhaps mindful of how badly Bad Religion’s foray into prog territory on their early ‘Into The Unknown’ album was received), but they’ve certainly taken a few bold steps forward on this, their third album.
Since the release of 2023’s ‘Use The Daylight’, they’ve recruited Owen Cox on bass, and made long-time collaborator and keyboard player Steve Cox an official member of the band. Both have clearly helped with the evolution of the band’s sound; Steve, in particular, regularly makes his presence felt with swirling Hammond organ-style lines, lending a welcome psychedelic edge to the likes of ‘The Off Switch’, lead single ‘Wrong Sometimes’, and the propulsive ‘Hate Can Set You Free’.
The highlights come thick, fast, and – for the most part – with plenty of guitar abuse straight from the school of Sonic Youth (that’s a good thing, in case you were wondering). ‘Be Careful’ proves that abrasive riffing, impassioned vocals, and new wave synths can co-exist just fine; late standout ‘Alienation’ sees the band sounding no less restless for the song’s slower pace, and we love the way ‘Toolbox’ suddenly explodes from an eerie voice-over into a blast of hardcore rage.
The record’s relatively mellow moments, though, are arguably also its most compelling. ‘But Fear This Art’ starts with little more than vocalist/guitarist Ed Wenn and guest vocalist Amy Wenn harmonising over little more than sparse beats and acoustic guitar, and gradually builds to an increasingly agitated and discordant finish. Then, on closing track ‘One Bump At A Time’, Ed mostly goes it alone with a plaintively strummed guitar and a somewhat bleary-eyed vibe; the result is both beautiful and unsettling, and that’s probably exactly how the band intended it to be.
You know what? Maybe there is an element of prog on show here, but in the true sense of the word ‘progressive’ – i.e. fresh ideas and exploration, rather than tedious musical self-indulgence. Given that most of the band are seasoned punk veterans, we do wonder if this record will get the same love and attention it would probably get if made by a bunch of fresh-faced whippersnappers (the music industry is ageist as hell, after all), but great music is ultimately great music. We’re rooting for Dealing With Damage, and on the strength of ‘The London Particular’, so should you.
‘The London Particular’ is out this Friday on Serial Bowl Records – order the vinyl/CD/digital versions HERE.
Main Photo Credit: CLARE DOWSE
- Deep States Of Relaxation
- The Inconvenience Of Democracy
- Nickey Nickey
- Wrong Sometimes
- But Fear This Art
- Be Careful
- Hymn For A Burned Goddess
- Pre-Dawn Grey Sky Blues
- Hate Can Set You Free
- Now I Know My DWDs
- Alienation
- The Off Switch
- Toolbox
- One Bump At A Time
Follow Dealing With Damage on Their Socials:
Need more Punk In Your Life?

Album review: Dead Star Boys return with album #2 – ‘Rats’
Hailing from Medway, Kent, UK, Dead Star Boys bring their own twist to punk and post-punk. Their second album ‘Rats’ is scheduled for release on

Album review: Rage DC’s long-awaited release – ‘Mind Your Head’
We hope you know who Rage DC are? Originally forming back in 1996 in Bracknell, Berkshire UK, the band are very well known in the

Exclusive – video premiere of Gypsy Pistoleros’ new single ‘King of Almost Everything’
The third single from Gypsy Pistoleros’ forthcoming new album, ‘Dark Faerie Tales’, ‘King of Almost Everything’ arrives with a brand-new video. A savage, cinematic takedown

Album Review: King Goon’s sophomore ‘Oh My!’
Describing themselves as a six-piece punk rock band with a bad ska habit, King Goon are based in South Wales. Now they are back with

Album review – the hard rocking debut by Monkeys Blood – ‘Anthropoid’
What do you get when three lads from several top Northeast English punk bands get together? A new, even wilder punk group named after a

Album Review : Good Riddance scratch that 7-year itch, and release a brand-new record
Based out of Santa Cruz in California (USA), Good Riddance are no strangers to the melodic punk scene, and over the decades, they have more
I spend my days teaching English to foreign students, and my evenings attending as many gigs as possible. Raised mainly on a diet of 90s third-wave punk, my tastes have grown to include just about anything from trad ska to thrash metal. The Ramones are my musical gods.



Did you know that we are 100% DIY? We run our own game. No one dictates to us, and no one drives what we can or cannot put on our pages – and this is how we plan to continue!
