For decades, music fans have debated whether Motörhead was more Punk than Metal. Punktuation explores the musical influences and genre-defying sound of the legendary band, and discovers Lemmy's own words finally unveils the answer.
Motörhead is one of music’s most unique and instantly recognisable bands. Committed to what they knew and loved – “rock and roll” – the three-piece created a brand of music hailed by some as speed metal, by others as hard rock, and many as heavy metal. However, there has long been a debate among music fans about whether Motörhead should be considered a punk band.
On the one hand, the band is often associated with heavy metal, and their influence on the genre is undeniable. However, there are several reasons why some consider Motörhead to be a punk band. For one, the band found success during the height of the punk movement, and many of their hallmarks fit in with the critical defining features of punk rock. Secondly, Lemmy Kilmister, the band’s lead vocalist and bassist, often stated that he felt more in common with punks than metalheads.
Lemmy’s own words shed light on the musical influences that moulded Motörhead’s unique sound and style. In 2011, he categorically stated, “We were not heavy metal. We were a rock ‘n’ roll band. Still are. Everyone always describes us as heavy metal, even when I tell them otherwise. Why won’t people listen?”
He followed up on this sentiment in 2014, telling Der Spiegel that he wasn’t particularly fond of metal. This may come as a surprise to many fans who associate Motörhead with heavy metal, but it underscores the band’s commitment to their own unique sound.
Lemmy also stated on several occasions that he felt more kinship with punks than with metalheads. The band’s relationship with goth-punk heroes The Damned is well-known, and Lemmy even played bass on a handful of occasions for them. Even more famously, he wrote ‘R.A.M.O.N.E.S.’ from the 1916 album as a direct tribute to the iconic New York band. The “1 2 3 4” he shouts at the start is a brilliant ode to the Ramones’ signature count-in.
Aesthetically, the band was also very similar to punks. If you look at pictures of the leather-clad trio or their album artwork, on the face of it, (other than the long hair) you might think they were a punk band.
Lemmy famously pointed out that Motörhead’s visual style was more akin to his friends in The Damned, rather than bands like Black Sabbath, with whom they were frequently compared. He even asserted that he did not share any aesthetic similarities with groups such as Judas Priest and Nazareth, which is indeed true.
Ultimately Lemmy was happy that Motörhead were genre-defying. When he spoke to ZigZag magazine about what genre he felt Motörhead fitted in, he said: “We get everyone – disillusioned Hawkwind people in plimsolls and greatcoats, a few punks… it’s good, you know. If somebody gets off, I don’t care if he’s got a bald head and a bolt going through it.”
Ultimately, the debate over Motörhead’s genre will continue, but Lemmy’s stance was clear: he didn’t care about fitting into any specific box. Motörhead’s music spoke for itself, bringing together fans from all different walks of life.
Lemmy’s punk ethos of individuality, rebellion, and inclusivity is evident in every note, making it easy to see why many consider Motörhead, a punk band at heart. Whether they were classified as punk, metal, or rock, their impact on the music industry is undeniable. Their legacy will continue to inspire generations of music lovers for years to come.
Lemmy Kilmister – a punk to the very end!
Main Photo Credit: Lemmy in club Milk in Belfast giving the one finger salute. Credit: Alamy
Need more Punk In Your Life?

Explode The TV, London Water Rats, 3rd July 2026
Explode The TV are clearly in a playful mood tonight, throwing a handful of covers into their set, including a superb rendition of David Bowie’s

Album Review: Fresh from Florence, Italian indie rockers Spleen grunge it up in debut LP ‘Gush’
Italian band Spleen’s debut album gushes grunge-punk and bleeds raw emotion. Dished up with a generous side of indie-punk goodness, ‘Gush’’s DNA can be traced

The Schizophonics, London New Cross Inn, 2nd July 2026
“People don’t want to see the guy next door on stage; they want to see a being from another planet.” Those are the words of

Album Review : Dogshite drop brand new album on Grow Your Own Records
Dogshite are based in the big smoke and have been peddling their own form of Anarcho-punk rock for quite some time now. They are also

EP review: Plastic Meat show off their Punk energy in ‘Losing It’
Madrid’s Plastic Meat describe their style as “frenetic Punk loaded with high doses of Rock’n’roll in a formula which includes 1977’s vibes revisited with the

Album review: Gimic – ‘New Traditions’
A 6 year wait? No problem…Gimic’s debut album comes after a couple of 7” singles and demos which I missed out on…every…single…one…shameful. ‘New Traditions’ throws
I’m a London born and bred music journalist, a mediocre bass player and the occasional strummer of the guitar. In the ’80s I worked in recording studios and made a few records you’d probably recognise. I have written a couple of books and made the odd media appearance as a music commentator. I now call Brisbane home.



Did you know that we are 100% DIY? We run our own game. No one dictates to us, and no one drives what we can or cannot put on our pages – and this is how we plan to continue!
