Sex Pistols artist discusses anarchy, politics, and his Aberdeen connection
Renowned artist Jamie Reid, known for his provocative and controversial punk artwork, is set to make waves at this year’s NuArt festival in Aberdeen. Ahead of his participation, Reid shared insights into his art, political beliefs, and special connection to the city in a recent interview with the Scottish newspaper, The Press and Journal.
As the artist behind iconic artwork for the Sex Pistols, Reid played a pivotal role in defining the punk rock music scene of the 1970s. His creations, specifically for the band or as standalone pieces, are characterised by their wit, ethical motivations, and unapologetic rebellion against the status quo.
Reid’s unique vision for radical change will now find expression in Aberdeen as part of the NuArt festival. Nearly 40 years of his work will adorn the city’s Crooked Lane, serving as a “spiritual homecoming” for the artist. It was in Aberdeen where he created his first-ever artwork for the Sex Pistols, a moment that ignited his legendary career.
Proudly claiming his Scottish heritage, Reid reveals his connection to Scotland, with his father hailing from Inverness and recent DNA testing confirming his ties to the north-east. Reflecting on his Aberdeen roots, Reid expresses his excitement about returning to the city where it all began.
Reid’s signature style, characterised by newspaper-cutting graphics reminiscent of a ransom note, has become synonymous with British punk rock’s spirit. Prints and posters featuring his iconic artwork, including pieces like “God Save The Queen” and “Anarchy in the UK,” will create a vibrant collage on Aberdeen’s walls, showcasing his artistic legacy.
Driven by a passion for political activism, Reid’s art continues to challenge societal norms and promote social justice. He remains outspoken about his beliefs, openly supporting Scottish independence and expressing admiration for Nicola Sturgeon’s resilience in the face of political challenges.
While unable to attend the NuArt festival in person due to health reasons, Reid’s commitment to the rewilding theme and his connection to Scotland remains unwavering. As he discusses his Heligan Project with gallerist John Merchant at the Aberdeen Art Gallery, audiences can expect a thought-provoking exploration of art, politics, and the urgent need for environmental consciousness.
For further information about this year’s Nuart festival, visit NuArt Aberdeen Festival’s website
Need more Punk In Your Life?
On The Cinder, Kingston Fighting Cocks, 17th July 2025
The Buffalo trio seemingly couldn’t care less that the Fighting Cocks is obviously not sold out – they’re far from home, and stoked that anyone
EP review: Darko – ‘Canvas’
Yes, this EP is the third in a conceptually-linked trilogy, but these folks are progressive in the sense that they’ve stuffed (or should that be
Live review: MoonPunx #5, LVLS, Hackney, 29th June 2025
Friends, punk family, and bands. What more could you ask for?! Family Of Strangers singer Lou Moon put on this lovely afternoon gig in a
Live review: The Uprising, The Pipeline, Brighton, 27th June 2025
What an incredible showcase of bands this was! Fluffy Bunny, the host of Underwrld, definitely knows how to put on a banging gig! With Mirrors
Live review: Guana Batz at Facebar, Reading, 3rd July 2025
It’s forty years since Guana Batz released their debut ‘Held Down to Vinyl…At Last’ and there has been a seismic change in the music scene
EP review: Petrichor release their self-titled debut
The kids are alright, folks. Washington DC quartet Petrichor are probably sick of journos like me mentioning their age (all between 13 and 15 years
Callum Wyatt is a Dublin-based music journalist with a passion for punk and a love for uncovering the untold stories of music history. When he’s not writing, you can find him hanging out with his cat, Oscar.
Did you know that we are 100% DIY? We run our own game. No one dictates to us, and no one drives what we can or cannot put on our pages – and this is how we plan to continue!
