Sex Pistols artist discusses anarchy, politics, and his Aberdeen connection
Renowned artist Jamie Reid, known for his provocative and controversial punk artwork, is set to make waves at this year’s NuArt festival in Aberdeen. Ahead of his participation, Reid shared insights into his art, political beliefs, and special connection to the city in a recent interview with the Scottish newspaper, The Press and Journal.
As the artist behind iconic artwork for the Sex Pistols, Reid played a pivotal role in defining the punk rock music scene of the 1970s. His creations, specifically for the band or as standalone pieces, are characterised by their wit, ethical motivations, and unapologetic rebellion against the status quo.
Reid’s unique vision for radical change will now find expression in Aberdeen as part of the NuArt festival. Nearly 40 years of his work will adorn the city’s Crooked Lane, serving as a “spiritual homecoming” for the artist. It was in Aberdeen where he created his first-ever artwork for the Sex Pistols, a moment that ignited his legendary career.
Proudly claiming his Scottish heritage, Reid reveals his connection to Scotland, with his father hailing from Inverness and recent DNA testing confirming his ties to the north-east. Reflecting on his Aberdeen roots, Reid expresses his excitement about returning to the city where it all began.
Reid’s signature style, characterised by newspaper-cutting graphics reminiscent of a ransom note, has become synonymous with British punk rock’s spirit. Prints and posters featuring his iconic artwork, including pieces like “God Save The Queen” and “Anarchy in the UK,” will create a vibrant collage on Aberdeen’s walls, showcasing his artistic legacy.
Driven by a passion for political activism, Reid’s art continues to challenge societal norms and promote social justice. He remains outspoken about his beliefs, openly supporting Scottish independence and expressing admiration for Nicola Sturgeon’s resilience in the face of political challenges.
While unable to attend the NuArt festival in person due to health reasons, Reid’s commitment to the rewilding theme and his connection to Scotland remains unwavering. As he discusses his Heligan Project with gallerist John Merchant at the Aberdeen Art Gallery, audiences can expect a thought-provoking exploration of art, politics, and the urgent need for environmental consciousness.
For further information about this year’s Nuart festival, visit NuArt Aberdeen Festival’s website
Need more Punk In Your Life?

Interview: Alex catches up with Mel of hardcore stalwarts Emergency Broadcast
It’s been a while since we heard hardcore that combines brawn and brains as well as London-based quartet Emergency Broadcast do on new EP ‘Make

Album review: Darkwave crew Fotocrime release ‘Security’
Harnessing the fury of Killing Joke and the man-vs-machine churn of Ministry for a new era, Fotocrime release their fifth album ‘Security’ on Friday 13th

Baz Warne’s autobiography – ‘No Grass Grows On A Busy Street: 25 Years On The Road With The Stranglers’
An intriguing, in-depth portal into Baz’s experience as guitarist and singer of one of the world’s best known bands, we become absorbed by tales of

Live review: Screeching Weasel / El Sancho / Square Shapes / The Noids, Honolulu, 28/2/26
Screeching Weasel recently played their first ever shows in Hawaii, with The Noidz, Square Shapes, and El Sancho in support on the Saturday. Our newest

EP review: Boneshakers self-titled debut release
In need of some short, sharp bursts of in-yer-face punk’n’blues, with some added scares? Then Belgium’s Boneshakers have the perfect recipe for you with their

Album review: Molly Vulpyne Band’s debut LP ‘Houndstooth and the Hum’
I was super excited to get a review copy of the Molly Vulpyne Band’s first album, ‘Houndstooth and the Hum’, having loved her previous EP
Callum Wyatt is a Dublin-based music journalist with a passion for punk and a love for uncovering the untold stories of music history. When he’s not writing, you can find him hanging out with his cat, Oscar.



Did you know that we are 100% DIY? We run our own game. No one dictates to us, and no one drives what we can or cannot put on our pages – and this is how we plan to continue!
