A sonic wrecking ball of a debut release from this Canadian noise-core crew!
What’s with all these North American bands doing such a fine job of straddling the hardcore and noise-rock camps? We’ve only just reviewed the fearsome new Iron Lung album, and now here come Toronto quintet Dogwhistle with an absolute beast of a debut EP. Is there something in the water over there? Or maybe it’s the – shall we say – political uncertainty? Hard times do often produce hard music, after all.
Make no mistake, ‘Textile Waste’ is exactly that. An eerie, discordant opening instrumental gives way to some powerhouse drumming on ‘No More Tickets To The Funeral’. It’s the aural equivalent of a shower of boulders, there’s a wall of guitar noise, and their gravel-throated vocalist damn near pushes things into death metal territory at times. This is stuff for which the phrase ‘beautifully brutal’ was tailor-made.
You’d better be paying attention by the time following track ‘First Person Shooter’ kicks in, with the kind of awesome, churning low-end riff that’s pretty much guaranteed to whip any self-respecting pit into a war zone. Inspired by “21st century militarism, technological alienation, and the detached brutality of drone warfare”, it certainly has an apocalyptic vibe to it. ‘White Mask’ continues in a similar – if faster – vein; imagine a meeting of minds (and sounds) between Helmet and Converge, and you’ll have a rough idea of where these Canadians are headed.
The title track is probably the closest thing on here to a Big Shiny Hit Single. Okay, we exaggerate. It does have a touch of rock n’ roll swagger to it, though, and a great chiming guitar line over the chorus. The wonderfully crunchy finale of ‘brokenwindowsbloodyhands’ sees them throw everything they’ve got at the wall, and leaves us feeling somewhat breathless – but definitely in a good way.
Any downsides? Well…it’s only 11 minutes long, but then, it’s probably not wise for any band to sustain this level of intensity for much longer. For now, ‘Textile Waste’ marks Dogwhistle out as ones to watch, and we’ll certainly be keeping an eye on them.

- (instrumental)
- No More Tickets To The Funeral
- First Person Shooter
- White Mask
- Textile Waste
- brokenwindowsbloodyhands
Follow Dogwhistle on Their Socials:
Need more Punk In Your Life?


EP Review: the barnstorming ‘Two Bucks and a Bottle of Ketchup’ from The Ovines
When The Ovines set out to record ‘Two Bucks and a Bottle of Ketchup’, they weren’t just making music, they were documenting the messy raw


Album review: Moving Targets – ‘Red Eyes’
Appropriately enough, considering that Moving Targets are a noisy trio from Massachusetts, much of this record brings to mind fellow noisy American trios Dinosaur Jr


EP Review: Infamous Stiffs release ‘The Ornery Six’
Infamous Stiffs’ latest EP is entitled ‘The Ornery Six’. This cool new release from Golden Robot Records can’t go wrong, especially if you enjoy your


Live Review: Bright N Sleazy Festival at Daltons, Brighton, 11-13th July 2025
The seagulls of Brighton were in for a treat last weekend, as they were to be served a generous helping of Punk Rock to go


On The Cinder, Kingston Fighting Cocks, 17th July 2025
The Buffalo trio seemingly couldn’t care less that the Fighting Cocks is obviously not sold out – they’re far from home, and stoked that anyone


EP review: Darko – ‘Canvas’
Yes, this EP is the third in a conceptually-linked trilogy, but these folks are progressive in the sense that they’ve stuffed (or should that be
I spend my days teaching English to foreign students, and my evenings attending as many gigs as possible. Raised mainly on a diet of 90s third-wave punk, my tastes have grown to include just about anything from trad ska to thrash metal. The Ramones are my musical gods.