Punktuation! Magazine

Punk News, Features, Interviews and More!

Chris Nine unleashes spirited track ‘Ghosts’ to confront relationships past

Shattering relationship ideals and their lingering effects on the psyche, Toronto rocker Chris Nine combines angst and pure adrenaline on his rebellious, super-charged pop-punk new single and music video.

Taking a bayonet straight to the heart of the perilous emotional expedition that is love and knowing the raw vulnerability it takes to give it a shot, the singer/songwriter shares, “I wanted to embody the feelings of love with its heart-pumping feeling, juxtaposed by the heaviness it can leave,” Nine says. “‘Ghosts’ captures how that overwhelming lust for another can topple one’s self-control over rationale and open oneself up to the rollercoaster of emotion — just for the slim chance at happiness.” 

The song lands as part of Chris Nine’s recently released post-hardcore pop-punk EP, ‘The Heavy’, which is produced, mixed and mastered by Darren Benner. The video for ‘Ghosts’ was directed and edited by Zeebrah Media’s Ryan Brough.

The EP is a supersonic yet melancholic musical offering featuring razor-sharp guitar riffs and stadium-filling drums. It’s a blistering trio of polished tracks that serve a deeper purpose than an all-out, high-octane sonic sojourn — in fact, they nothing short of extricated the singer/songwriter after a devastating series of events (a concussion, a breakup, and a global pandemic, to start) — the searing series of songs are a two-way mirror, stripping ego and pride away as Nine earnestly scrutinizes pain through scathingly raw and honest sonic storytelling. 

“The songs on ‘The Heavy’ all resemble the past, present, and future components of dealing with relationships and trauma,” Nine reveals of the tracks’ The Rage,’ ‘Fracture,’ and ‘Ghosts.’ “I was navigating this mental fog, and confronting shadows of my past”. From this, ‘The Heavy’ was summoned; each song sheds light on the different unfolding perspectives and the intuitive emotions that follow.

“This EP was a way of voicing frustration and growing pains in an incredibly cramped space that was the ‘quarantine,’” he continues. “I was lonely after a breakup, after losing friends, and I was feeling brain fog effects from a concussion. I felt I needed to become something new and grow from it. With residual effects from my post-concussion syndrome, my eyesight and sense of self were removed. Ultimately, it forced me to adapt and to start playing and writing in a different manner.”

One such way was using chord variations due to the decline of muscle memory. Focusing on simple, ‘to the point’ solos, all to avoid getting lost, Nine worked diligently to not only prevent forgetting ideas but to not to create over-stimulus — which could have potentially worsened his symptoms. 

“The first track started at ‘The Rage’, and vocally, something else came out of me,” he recalls of the process. “The harshness and sizzle in my vocals, that usually had to be held back became paired with this aggressive rock sound my hands now shaped. Grit and punchy, melodic vocal lines became my style of singing, and I knew I had stumbled onto something and needed to explore this true side of my voice and myself.”

Nine also found the ongoing pandemic was exacerbating his experience. After returning from a trip to the grocery store, feeling overwhelmed by the situation and its effect on his life, he experienced a breakthrough. “I came home, quickly grabbed my guitar, and played a riff I had never been able to write a melody line for,” he recalls. “I started to scream the first verse lyrics and, suddenly, a new style of lyric writing had become available to me.” The song “Fracture” was the first to receive this treatment, with “The Rage” and “Ghosts” following soon after. 

“‘Ghosts’ was conceived in the idea of telling a full story, similar to the anime openings that had kept me sane and feeling secure the whole quarantine,” he shares. “Overall, this was the first time I delved into a more compressed tone and really learned how to excel as a vocalist. Songs became more about melody and tight structure than they ever had before. Attention was paid to performance and emotion over what was ‘correct.’ It allowed me to open my writing to darker conversations and take risks in my songwriting.

“Simply, the EP was there to support me; it was there to give me strength and make me feel like I could be in the world once more. It represents relentless energy and hopefully teaches people to look inside and dig deep; to never give up, and never back down.”

‘The Heavy’ follows additionally available singles “Stitches” and “Jawbreaker” and is available now.


Follow Chris Nine on socials


Keep up with the latest in punk

Share This Story!
Show More
Buy Punktuation! A Coffee

If you enjoy reading Punktuation! please consider supporting us with a regular donation each month.

Every contribution, however big or small, powers our DIY punk mag and sustains our future.

Donating as little as the cost of a coffee every month will help support independent music journalism.

Thank You!

Translate »
Punktuation Magazine uses cookies and other data to deliver, maintain, and improve our services. We also have partners that measure how our services are used. By continuing to use this site, you agree to our use of cookies.
I Accept
Privacy Policy